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Press Releases & Reviews 2000  


The Miami Herald

2/20/2000

by James Roos

An Ivory Invasion

Piano Passion

All this is happening here, rather than in centers like New York, Los Angeles, Boston or Chicago, because South Florida has an unusual wealth of presenters with a passionate interest in young piano talent - and most of them, not incidentally, are women.

Says Dranoff, whose protégés consider her a kind of den mother for duo - pianists, "Women have a nurturing, mothering instinct that probably plays into part of this, and they've been supporters of all the arts - symphony, opera, ballet - from the start."

Here in South Florida, the piano craze began when philanthropist Blanka Rosenstiel, originator of the American Chopin Competition, invited dozens of young pianists to compete here in 1975, then brought in Saxon to develop the contest.

Saxon came from New York, where she'd founded the prestigious Dimitri Mitropoulos Competitions for pianists and conductors in the 1960s. Of course, there were already musical activists here like impresario Judy Drucker and Miami - Dade Community College's Ruth Greenfield, who'll be honored Tuesday for creating the school's once-thriving Lunchtime Lively Arts Series, which promoted new talent for years. Doreen Marx of Temple Beth Am, Agnes Youngblood, Brodsky's collaborator, and Rosalina Sackstein of Miami Civic Music also are pianists - boosters; Sackstein has a fun-raiser for young pianists slated at the University of Miami Feb. 27.

But Saxon's work, even in New York, has proved important for South Florida, too. Her Mitropoulos Competition helped spot this area's first brilliant young conductor, Alain Lombard, and her input regarding pianists has often been valuable to others locally.

Even now, at 88, she can be found each morning in her Miami office at the Chopin Foundation trying to figure out how to help the deluge of pianists who have no concerts. "There are fewer and fewer solo recitals and series, and it's extremely difficult to get orchestras to accept young pianists." She says.

Nevertheless, in addition to awarding Chopin Competition winners $42.000 in prizes and sending the top four to Warsaw this fall to compete in the International Chopin Competition, Saxon has assembled a 20 - concert tour for the first-prize winner, including a Carnegie Hall debut. "But you can tell from most of the concert dates we're giving how hard it is to maintain a career," she says. "They're not on regular recital series, but at the Polish Consulate in Honolulu and the Ashlawn Music Society in Charlottesville, VA."

 

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